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Tunisia: Paparouni Reinvents the Circus with Animal-Free Shows [Video]

    Traditionally associated with animal performances, the circus industry is undergoing a global transformation toward more modern formats that emphasize human creativity and respect for wildlife. Reflecting this shift, Tunisia is witnessing the emergence of new artistic experiences that move away from classical circus traditions.

    In this context, Haïthem Kasdaoui, director of the Paparouni Circus Arts Group, told Tunisie Numérique that the show “Jingle Book” represents a new artistic venture in Tunisia and across the Maghreb. He noted that it is the country’s first circus tent to be entirely designed and produced locally.

    The performances began on January 29 and will run until February 8 at the Carthage Park, offering a family-friendly atmosphere primarily geared toward children. The show blends imagination and reality through a virtual journey led by a young girl named “Warda,” chosen by director Montassar Ben Gaji as the central character.

    According to Kasdaoui, the production relies on contemporary entertainment elements, combining dance, theater, and circus arts to deliver a storytelling experience rooted in fantasy rather than traditional circus acts.

    A Contemporary Circus Without Animals

    Kasdaoui emphasized that the group deliberately chose to create a modern circus aligned with 21st-century values by completely abandoning the use of animals in its performances. “The natural place for animals is in reserves or forests,” he said, stressing that this decision is consistent with the principles advocated by international animal protection organizations.

    The performances now rely entirely on artistic expression and stagecraft, offering audiences an immersive experience that respects wildlife while meeting the expectations of modern spectators.

    A Full Team and Strong Family Turnout

    “Jingle Book” features around 19 artists on stage, supported by a technical and logistics team of nearly 30 people working behind the scenes to ensure a high-quality production.

    Kasdaoui described the public response as encouraging, noting that many Tunisian families have shown interest in a circus that focuses on visual creativity and live performance rather than animal acts.

    Touring Across Tunisia

    The circus tent has already been set up in Sfax, with plans underway to tour multiple regions across the country. The initiative aims to bring circus arts closer to audiences nationwide—from the north to the south and from coastal areas to inland regions.

    In parallel, the troupe continues to participate in major cultural events. It recently opened the Children’s Theater Festival in Monastir and is preparing a large-scale performance at the Opera House as part of the Carthage Puppetry Arts Days. Additional shows are scheduled in Sakiet Sidi Youssef to commemorate the events of February 8.

    Kasdaoui concluded by affirming that Paparouni is not limiting its activities to the capital but is instead striving for a nationwide presence to promote a modern circus culture in Tunisia—one that combines artistic innovation with strong human values.

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